Carrie Underwood Tickets
Since 2009, TicketIQ (formerly TiqIQ) has used its intelligence to help fans get the best deals, and now offers a Low Price Guarantee on every event.
Since 2009, TicketIQ (formerly TiqIQ) has used its intelligence to help fans get the best deals, and now offers a Low Price Guarantee on every event.
Now in full Swing, the Cry Pretty Tour 360 began on May 1, 2019, in Greensboro, North Carolina and is scheduled to conclude on October 31, 2019, in Detroit, Michigan, playing a total of 60 shows. It's the follow up to Underwood's 2016 Storyteller Tour, which grossed over $56 million. The tour is playing in arenas across the country, with seating capacity around 13,000-15,000 people per show.
Tickets are not completely sold out via Ticketmaster, however, primary market options are limited for many shows. On TicketIQ, tickets for most shows start between $50-$70, with a handful of shows with tickets under $50. The cheapest faceprice on Tickmaster and AXS the ticketing platform used by most venues is $49.50 for upper level seats and $69.50 for lower level seats. For some shows, tickets are selling for below face price on the secondary market, so it's important to show around.
Lower level center seats with stage-front visibility are going for around $100 for most shows on the secondary market. These most desirable tickets are sold out on the primary market for most shows. Like the tour title suggests, the floor configuration is 360 degrees, with stage that gives fans in all sections of the arena access to the American Idol winner. The floor consists of two pits as well as a general admission floor section. The face price for GA floor seats are $120 after fees, and tickets are in-line or lower than that on the secondary market. Primary ticket prices for Pit tickets are around $180 and close to that on the secondary market.
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Taste of Country says the below of the Cry Pretty 360 tour: "Visually stunning, sonically transfixing, two-hour-long show seems destined to include her entire catalog. "Drinking Alone" was the show's sexiest moment...out came Underwood in a black fedora to perform on a velvet sofa as her bass player stood in the smoke holding an upright. Translucent screens capable of enclosing her 360-degree stage serve as projection monitors, replacing the jumbotrons one expects. For this song, they helped build a smokey 1920's nightclub tableau. They were used most effectively at the beginning of her show.